SET Woolwich
FREE STUDIO PRIZE WINNERS’ SHOW
TOPPLING
FREE STUDIO PRIZE WINNERS’ SHOW
TOPPLING
Fear of Failure
2022, variable installation, 450cm x 375 cm x 215cm
SET Woolwich
Dear Audience; I would die rather than save me
2020, Polystyrene carving
150cm x 50cm x 40cm
150cm x 50cm x 40cm
Art like Salt Residency
The Humble Comes to Us
2020, yellow polycarbonate with iron cube frame, 315cm x 315cm x 315cm.
Art Like Salt Residency
To Eternity
2020, mixed media on window and wood frame, frame size 5m x 5m.
Skaftfell Art Center Artist residency 2020
Hovering/Dear Audience
Hovering, 2020, two projectors, two speakers, amplifier, speaker lines, chains, hooks, glass objects(cup, Coca-Cola bottle, wine glass, jar, bowl), Iphone, laptop, Acrylic box, extensions, wi-fi, plinth, variable installation
Dear Audience, 2020, Clay sculpture painted with silver acrylic, 15.5cm(H)x6cm(W)x7cm(D)
Dear Audience, 2020, Clay sculpture painted with silver acrylic, 15.5cm(H)x6cm(W)x7cm(D)
Project3. Sound drawing -
(Aichi University of Art and Music Artist Residence 2018)
(List í Ljósi 2020)
(Aichi University of Art and Music Artist Residence 2018)
(List í Ljósi 2020)
Perspective
2018, moving image(00:07:37), projector, extension, curtain(in the afternoon), window(in the night)
2020, moving image, projection on fabric and wood frame.
2020, moving image, projection on fabric and wood frame.
Project3. Sound drawing -
(Aichi University of Art and Music Artist Residence 2018)
(Aichi University of Art and Music Artist Residence 2018)
Untitled(Gangneung)
2018, photo-etching, sound and sound drawing moving image, 18 copper plates, projector, 6 speakers, interface, extension cables,
360cm x 214cm
360cm x 214cm
Project3. Sound drawing -
(Aichi University of Art and Music Residence 2018)
(Aichi University of Art and Music Residence 2018)
Get rid of impurities
Get rid of impurities-room&library
sound (2018), etching and sound, copper plate,
I-pod classic, headset, 109.5cm x146cm
Get rid of impurities-fan sound (2018), etching, copper plate, 73cm x 36.5cm
Get rid of impurities-eerie sound from room (2018), etching, copper plate, 36.5cm x 144cm
Get rid of impurities-library sound (2018), etching, copper plate,
73cm x 36.5cm
Get rid of impurities-refrigerator sound & AUA library sound (2018), Etching, copper plate, wood,
36.5cm x 36.5cm
Get rid of impurities-library sound (2018), Etching, copper plate, wood, 36.5cm x 36.5cm
Get rid of impurities-fan sound (2018), etching, copper plate, 73cm x 36.5cm
Get rid of impurities-eerie sound from room (2018), etching, copper plate, 36.5cm x 144cm
Get rid of impurities-library sound (2018), etching, copper plate,
73cm x 36.5cm
Get rid of impurities-refrigerator sound & AUA library sound (2018), Etching, copper plate, wood,
36.5cm x 36.5cm
Get rid of impurities-library sound (2018), Etching, copper plate, wood, 36.5cm x 36.5cm
Project3. Sound and space
Tate exchange, STUDIO COMPLEX WITH CENTRAL SAINT MARTINS
Blavatnik Building, Level 5, Tate Modern, Bankside
How to survive as an artist in the metropolis
Join and help us remake the studio of the future.
London, once a city with overlooked spaces open to occupation and experimentation, has become an increasingly difficult environment for emerging artists. Those graduating from art school now find fewer spaces in which to work, with affordable studios a thing of the past. In the five-year period between 2014 and 2019, it is predicted that 30 per cent of artists’ studios in London will be lost (see GLA’s Artists’ Workshop Study).
In response, artists are challenging and re-inventing the studio. Could it be a park bench, an online space or a public building? As artists, can we resist the tide and find new ways of reinstating art practice within the heart of the city?
Students from Central Saint Martins will construct fully functioning studios in Tate Exchange. Drop in and select a studio (or a series of studios) and join in a wide range of practical activities incorporating the many and diverse ways in which art is made today
How to survive as an artist in the metropolis
Join and help us remake the studio of the future.
London, once a city with overlooked spaces open to occupation and experimentation, has become an increasingly difficult environment for emerging artists. Those graduating from art school now find fewer spaces in which to work, with affordable studios a thing of the past. In the five-year period between 2014 and 2019, it is predicted that 30 per cent of artists’ studios in London will be lost (see GLA’s Artists’ Workshop Study).
In response, artists are challenging and re-inventing the studio. Could it be a park bench, an online space or a public building? As artists, can we resist the tide and find new ways of reinstating art practice within the heart of the city?
Students from Central Saint Martins will construct fully functioning studios in Tate Exchange. Drop in and select a studio (or a series of studios) and join in a wide range of practical activities incorporating the many and diverse ways in which art is made today
Project3. Sound drawing
Sound drawing in rare books & music reading room in British Library, reacted to Annette Messagers‘ work, ‘Les Interdictions.’
2017, digital print on Awagami A2 ink jet paper, 0:03-1:04(right) and 1;04-2:08(left)
Project2. Light through the window
Light through the window
2018, screen-print on Nobang (Korean traditional fabric), nail, size: 150cm x 97cm, 110cm x150cm, 123cm x150cm, 110cm x 150cm, 15cm x 195cm.
Project2. Light through the window
Light through the window
2018, Light Through The Window, screen-print on Fabric(Nobang), drawing with fabric marker, speaker, iphone5, sound cable 3m, 7m, amplifier, electronic converter, extension, 3m x 3m
Project2. Light through the window
Light through the window
2018, digital photograph
Project2. Light through the window
Light through the window(2019)
2019, Giclée prints with black wood frame, 314*406(cm) for each phtograph.
Project1. Room
Room
2017, zincs, metal frame, staring screws, 1.5mm steel cable, rawl bolts, duplex grips, G clamp 2.5mm*2.7mm. Variable installation.
Hyun Ah Kwon, Room(2018), zincs plate with black wood frame, 920*620(cm) for each plates.
£4000
not included delivery fee
contact: hyunahkwon91@gmail.com
Project1. Room
Beyond Wall
Beyond Wall, 2017, digital printing on Lycra heavy Matt 250gsm, 165.4cm x 215cm, 157cm x 215cm, 157cm x 215cm
Project1. Room
In between me and Mt.Seorak (Imaginary world of spirit)
2017, photo-etching on zinc, wood frame, 30.5cm x 23cm
